http://www.nytimes.com/2013/10/25/arts/ ... html?_r=1&Strike back Origins-Kritik der New York Times, 24.10.13:
Zitat:
Richard Armitage plays a man who is haunted by a mistake he made at the start of a war, on “Strike Back,” on Cinemax.
Filling in the Blanks in the Tale of a Death
‘Strike Back’ Is Airing Season 1 for the First Time in U.S.
By MIKE HALE
Published: October 24, 2013
When “Strike Back,” Cinemax’s post-Sept. 11, globe-hopping counterterrorism series, began in 2011, something felt missing. In the premiere, a British special-forces soldier was kidnapped in Pakistan and executed, and people back in London were very upset, which made sense. But viewers were left wondering: Who was that guy? Why were we supposed to care so much about him?
Related
Television Review | ‘Strike Back’: In Between the Terrorist Threats, Plenty of Time for Hanky-Panky (August 12, 2011)
Arts Twitter Logo.
Connect With Us on Twitter
Follow @nytimesarts for arts and entertainment news.
Arts Twitter List: Critics, Reporters and Editors
Arts & Entertainment Guide
A sortable calendar of noteworthy cultural events in the New York region, selected by Times critics.
Go to Event Listings »
What was missing, as it turned out, was the show’s entire six-episode first season. Cinemax had become a co-producer of “Strike Back,” with the Sky network in Britain, beginning with Season 2, so it simply acted as if the first season had never happened. An entirely new cast was hired, and the story started over again from scratch — with the exception of that brief farewell appearance by the ill-fated soldier who was, in fact, the lead character from Season 1.
Now that “Strike Back” has built a solid American audience across three seasons and become an underground favorite with fans of military adventure, colorful international locations and gratuitous premium-cable nudity, Cinemax is finally showing us those six missing episodes, relabeled as “Strike Back: Origins.” Beginning on Friday night, we can see what the fuss wasn’t about.
It turns out that we didn’t miss anything too crucial or exciting, though “Origins” is no worse than average among the class of shows — “24,” “The Unit,” “MI5” — that mix high-tech intelligence gathering with bloody commando action. Richard Armitage (Guy of Gisborne in the BBC “Robin Hood”) is sufficiently square-jawed and troubled as the hero, John Porter, who is haunted by a fatal mistake he made at the beginning of the Persian Gulf invasion. American viewers will note the presence (and native British accent) of Andrew Lincoln, now a star as Rick Grimes in “The Walking Dead.”
Cynics may note some elements in “Origins” — a high body count among the people on “our” side, less than flattering references to the United States — that became less prevalent after “Strike Back” became a half-American show. But the more interesting realization is that “Strike Back” became a better show — livelier, less heavy-handed — with the addition of Cinemax’s money and input. Score one for the Americans.
A version of this review appears in print on October 25, 2013, on page C13 of the New York edition with the headline: Filling in the Blanks In the Tale of a Death.