26.10.2014, 11:00
:The smash hit production of The Crucible is coming to Vue in December. More details here: http://po.st/VueCrucible
26.10.2014, 11:00
27.10.2014, 12:21
A FUSION OF CREATIVE FORCES
by digitaltheatre | Oct 27, 2014 | Film Directors Blog | 0 comments
Controversial American film director, Elia Kazan, once remarked that directing is turning ‘psychology into behavior.’ This phrase, from his notebooks on Tennessse Williams’ A Streetcar Named Desire, is one of many keen insights from his work on the great canon of American mid-20th century drama, where he created seminal productions of what are now classic texts. Miller, as a master of social drama in this era, worked with him to enliven the newly coined texts and bring them into dramatic, urgent life. This process is always partly alchemical, a fusion of creative forces, imaginations and taste.
Yaël Farber and I first met at the BFI over seven hours of talk and debate and storyboarding, searching for the right framework to present her acclaimed work on this London revival. You know when there’s a connection between sensibilities and when a shared vision emerges. The day disappeared as we delved into the imagery, themes and values of the play. It was dark by the time we’d concluded and that newfound knowledge, going back to the origins and founding ideas, would transform our process over the subsequent weeks. When I sat in the notes sessions for the company during our shooting days, it was clear that this sense of shared vision had been embraced by the company and Yaël’s collaborative vision was both beguiling and entirely persuasive.
The shoot, edit and post-production process is to some degree an attempt to re-engage with that spirit, so evident amongst the performers, in Yaël’s dialogue on the play and in the auditorium each night before the first lines of music and the footsteps of Tituba, the Barbadian slave woman are heard. The actors, entering an empty space and recreating a world full of pain, fury and longing, play amongst the flinty, percussive language of Miller’s text and within the imagined world of Yaël’s vision.
The edit process attempts a re-creation of this spirit, the atmosphere, energy and sweep of the work, using film grammar to catch for a moment the mercurial flights of a performer’s craft and share them with the watching audience – channeling human emotion and Miller’s devastating critique of mindless persecution and false accusation.
28.10.2014, 15:35
Behind-the-scenes filming #TheCrucibleonScreen, our Creative Producer @Fionainterviews and @RCArmitage post-interview
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28.10.2014, 17:41
28.10.2014, 20:58
Laudine hat geschrieben:Ein schönes Foto, das auch glatt - mit anderem Hintergrund - von der SD stammen könnte, so wie die Dame zu ihm aufschaut.
28.10.2014, 21:21
Dieses Lächeln.
Und wie er gar nicht bemerkt wie er angeschaut wird. Könnte wirklich ein Stage Door Bild sein.
28.10.2014, 22:55
-und das Ohr ist auch schon ganz rot 29.10.2014, 10:36
Richard Armitage in The Crucible trailer
Exclusive: The Hobbit actor takes to the big screen again in screenings of the Old Vic’s five-star play
By Kat Brown
8:35AM GMT 29 Oct 2014
The witching hour approaches for much-anticipated cinema screenings of the Old Vic’s staging of The Crucible – starting with the trailer, which you can see first here.
The theatre’s sold-out production received glowing reviews when it played this summer, with The Hobbit actor Richard Armitage taking the lead as Arthur Miller’s fallen hero, John Proctor.
Director Yaël Farber took Miller’s American play, which looks at the McCarthy era witch hunts through the lens of the Salem witch trials, and had the cast play it with Yorkshire accents to five-star acclaim, including from The Telegraph.
In his review of The Crucible, theatre critic Charles Spencer said the production was "electrifying" and had "the intensity of a thriller".
There will be performances on Thursday 4 and Sunday 7 December at cinemas in the UK and Northern Ireland, with worldwide screenings to follow.
Find out more at thecrucibleonscreen.com
29.10.2014, 10:40
29.10.2014, 10:44
Fernanda Matias @MatiasFmatias
Captions from #TheCrucible #RichardArmitage



29.10.2014, 12:12
29.10.2014, 15:20
29.10.2014, 15:48
29.10.2014, 15:52
Dickes Danke, Nimue
29.10.2014, 15:56
. Weiß auch nicht, warum der 1. Link entfernt wurde, ist schließlich doch gute Werbung
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