21.07.2014, 22:25
Smilie ein
21.07.2014, 22:25
22.07.2014, 06:25
22.07.2014, 09:37
Nietzsche hat geschrieben:Sei doch nicht so streng.Er wurde im Gefängnis schließlich nicht sehr gut behandelt!
Aber gerade deshalb würde ihm eine Dusche gut tun!
Und dann natürlich medizinische Versorgung
und ein heißer Tee
22.07.2014, 09:42
22.07.2014, 10:06
Anne008 hat geschrieben:Nietzsche hat geschrieben:Sei doch nicht so streng.Er wurde im Gefängnis schließlich nicht sehr gut behandelt!
Da hast Du sicher recht!Aber gerade deshalb würde ihm eine Dusche gut tun!
Und dann natürlich medizinische Versorgung
und ein heißer Tee
22.07.2014, 10:18
Nietzsche hat geschrieben:Wenn ich das so sehe, fürchte ich, daß ich am Ende in Tränen aufgelöst bin.
22.07.2014, 13:01
There was a man two rows in front of me wearing a head torch. A HEAD TORCH.
Not that I'm denying Armitage had a great torso. But it's the Old Vic. If Spacey had been in the house he would have cracked some skulls.
Paddy Johnston @paddyjohnston · 14 Std.
Vulgar audience though. Three phones ringing and somebody wolf whistled when Richard Armitage took off his shirt. #vulgar
Paddy Johnston @paddyjohnston · 14 Std.
The Crucible was great. Powerful, moody staging and excellent performances all around.
22.07.2014, 13:06
22.07.2014, 13:11
:too bad, you shouldve seen "The Crucible"in the Old Vic. It was overwhelming! Have a good trip!
Graham McTavishVerifizierter Account
@grahammctavish
@Luthien787 I'm seeing it soon...
22.07.2014, 13:20
22.07.2014, 18:34
Ich finde das einfach spitzenmäßig. Das zeigt, dass sie sich alle gern haben und Richard und seine Arbeit respektieren und schätzen.
22.07.2014, 19:43
BLOG
What great theater shows are we missing in London (but could catch in hi-def)?
By David CotePosted: Tuesday July 22 2014, 1:35 pm
The Crucible at the Old Vic
Another star of The Hobbit franchise, Richard Armitage (Thorin Oakenshield), plays doomed Puritan John Proctor in this revival of Arthur Miller’s witch-trial classic. The reviews have been, in a word, stunning. South African director Yaël Farber seems to have plumbed this staple of colleges and community theaters for its dark, irrational roots, and found its sensual, earthy underbelly. The production is lengthier than usual—three and a half hours, due to interpolated movement sequences—but apparently, it’s a nonstop thrill. If any of these events have a chance of transferring to Broadway, it’s this one. Armitage is a rising star, the play has huge cultural cachet, and riding a wave of English hype bestows snob appeal. A year from now, look for it on the Great White Way.
Are you a London theatergoer? Did you just get back? Let me know what other shows I’ll be missing (damn you).
22.07.2014, 20:09
For those who queue more than once for Stage Door access to the actors, is it because you had more to give or wanted to receive more from the actors?
...I understand wanting an autograph or a quick word of thanks. I am puzzled by fans who go back again and again. It would seem knowing an actor is exhausted, the respectful thing to do would be to do what you came to do once and be done with it. It just makes me wonder what those people are really hoping for.
Good question. And I am struck by the difference in stage door etiquette in London as opposed to New York. We saw the final performance of Cripple of Inishmaan on Sunday, and the crowd to see Daniel Radcliffe afterward require mounted police to keep in line! Well, ‘in line’ is a total misnomer because there WAS no line, merely a seething mass of people pushing as close to the stage door as they could to get a shot at him. Thankfully there was a car waiting for him with staff waiting by it to keep anyone away who wasn’t supposed to be there. No orderly lines, no one marshalling them into one like they do at the Old Vic…it was insane, and if I’d been Daniel I’d have found a different way out of the theatre. It’s that sort of crap that makes me really hope Richard doesn’t come to NY to do a play— I can’t imagine what it might be like for him.
22.07.2014, 21:01
Nimue hat geschrieben:In diesem Post wundert sich jemand über Fans, die wiederholt am Stagedoor stehen:
http://queensuchnsuch.tumblr.com/post/92538843575For those who queue more than once for Stage Door access to the actors, is it because you had more to give or wanted to receive more from the actors?
...I understand wanting an autograph or a quick word of thanks. I am puzzled by fans who go back again and again. It would seem knowing an actor is exhausted, the respectful thing to do would be to do what you came to do once and be done with it. It just makes me wonder what those people are really hoping for.
Und zu Unterschieden bzgl. Stagedoor Verhalten UK- US:Good question. And I am struck by the difference in stage door etiquette in London as opposed to New York. We saw the final performance of Cripple of Inishmaan on Sunday, and the crowd to see Daniel Radcliffe afterward require mounted police to keep in line! Well, ‘in line’ is a total misnomer because there WAS no line, merely a seething mass of people pushing as close to the stage door as they could to get a shot at him. Thankfully there was a car waiting for him with staff waiting by it to keep anyone away who wasn’t supposed to be there. No orderly lines, no one marshalling them into one like they do at the Old Vic…it was insane, and if I’d been Daniel I’d have found a different way out of the theatre. It’s that sort of crap that makes me really hope Richard doesn’t come to NY to do a play— I can’t imagine what it might be like for him.
Und berittene Polizei?? 22.07.2014, 22:39
Arianna hat geschrieben:Ich packe das jetzt mal hier hinein:
Time Out New York befasst sich mit der hohen Dichte hochkarätiger Bühnenaufführungen in London und die Möglichkeit, die eine oder andere an den Broadway zu transferieren ... da sind anscheinend Begehrlichkeiten geweckt worden.
http://www.timeout.com/newyork/blog/wha ... -in-hi-def
Ich bin gespannt, was der Erfolg von TC noch so bringt.
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