CH und DE am 6.12.2012, A am 7.12.2012!

Der deutsche Trailer ist da!

Ich muss mal wieder den ersten Schock wegen der befremdlichen Stimmen überwinden...

Tja, das ist es ja immer. Aber sonst passt es glaub ich ganz gut, oder?

Aha, ihr habt mal wieder einen Tag Vorsprung!
Leider wird er bei uns sicher synchronisiert!

Ich wage einfach mal ins Blaue hinein die Voraussage für die Oscar-Nominierungen :

Bester Film
Beste Regie
Bestes Drehbuch
Beste Musik (Soundtrack)
Beste Kamera
Beste Kostüme
Beste Hauptrolle weiblich KK
Beste Nebenrolle männlich MM (großes Wunschdenken, aber durchaus im Bereich des Möglichen) Hehe und sich mit RA in derselben Kategorie, um das Goldmännchen streiten.
Bestes Makeup und Frisuren (geringe Chance)

Man kann ohne große Übertreibung mit sieben bis zehn Nominierungen (evtl. auch weitere technische Kategorien) rechnen, denke ich mal. Härteste Konkurrenz in vielen Kategorien wird auf alle Fälle "The Hobbit I" sein.

The film is blessed with a terrific cast. Jude Law is impressive as Anna’s proud husband Karenin; Aaron Taylor-Johnson (all blond hair and twirling moustache) ­is ­suitably dashing as Vronsky, Matthew ­Macfadyen is a ­comedy delight as plump but philandering Oblonsky and Kelly ­Macdonald sweetly dowdy as his loving but frustrated wife.
With its beautiful cinematography and costumes, bold choreography and perfectly judged performances, it’s a real ­success.

Bizarrely, there's a chirpy start to this famously tragic tale as brother Stiva (Matthew Macfadyen) anticipates Anna's arrival on a visit to Moscow from St Petersburg, a sequence that's so heavily choreographed you'll expect him to skip forth and burst into song. And yet, there is disharmony in the house thanks to his constant cheating on wife Dolly (Kelly Macdonald).

Matthew Macfadyen is enjoyably broad, a world away from his Mr. Darcy, as Oblonsky, threatening, but never quite managing to, tip into caricature, and his approach pays off beautifully with a single heartbreaking shot near the end.

In keeping with the fun and frolics of the upper classes at that time, the lead cast were all expected to dance – and we don’t mean throwing some shapes on a Saturday night dancing – we’re talking ball gowns and waltzes and major concentration. Keira said: 'I found it really, really, really difficult. He [Matthew] actually did find it really easy – it was really depressing. I’m usually quite quick at picking things like that up but actually I found it impossible and he’d just do it in about five seconds.’